变态杀人魔,是天性如此,抑或后天使然?一系列连环命案,死者脑袋都被人用利斧移除,警方束手无策之际,却逐渐发现年轻律师成为疑犯新目标,偏偏他却将被袭掩饰为普通遇劫。兼具美貌与智慧的罪案分析专员锲而不舍,一切谜团源自多年前一宗骇人听闻的儿童集体掳拐与残害事件。「从良」多年的肉体恐怖天王三池崇史重作冯妇,找来龟梨和也、中村狮童操作双向杀手转换,寄寓真心自况:立愿改过自新的变态者处境,雪拥蓝关,可会成为另一个无间好人?
河里,一具女尸如同油画《奥菲利亚》中的模样漂浮在水中,死者为话剧女演员李菁菁(孟子叶饰),经法医韩枚(赵崔玮饰)鉴定,死者身体被掏空,溺水而死。如此凶残的行凶手法,引起了所有人的关注。凶手先后锁定在和女演员生前有染的话剧团导演和剧务,然而双方都有不在场证据,令案件一时陷入了僵局。此时,女法医给出了一个惊人的答案,令所有人无法相信,死者的哥哥悲痛欲绝,誓言要展开报复。而此时真正的凶手却在酝酿着一场更大的阴谋。
Estela是一个12岁的小女孩,她爱上了一个17岁的特警学员,而这个特警学员也想带她远走高飞。可没想到的是为了实现自己的梦想,Estela让自己的家庭陷入了灭顶之灾,暴力血案枪战复仇席卷了这个墨西哥小镇…
艺术史学家理查德-克莱(RichardClay)教授探讨了法国哲学家罗兰-巴特1957年撰写的《神话学》如何揭示了大众文化的核心--神话创造。
塔拉(黛比•莱恩DebbyRyan饰)是一名非常平凡的17岁女高中生,家庭的影响让塔拉的性格非常的害羞内向,她甚至不敢再大家面前大声的说话,每个人都把塔拉当做是毫无还手之力的小羊羔。可是,实际上,塔拉是一个非常有自己想法的女孩子,每当她回到家中,进入自己一方小小的天地后,都会暴露出热情奔放的一面。
邱吉尔的政途于三十年代中期起下滑,已经退休的他虽然依旧参加国会的讨论,但不得志的他还是整日闷闷不乐,生命陷入低潮。。更雪上加霜的是,在股灾中,邱吉尔成了最大的受害者之一,财政状况十分糟糕。虽然他夜以继日地为各大报刊撰稿,也仍然填补不了财政赤字。但忙于政务的邱吉尔对帐务上的危机视而不见,这可愁坏了邱吉尔夫人,她努力地应付平时的各项开支,但她已渐渐觉得精神和体力都承受不了这么大的压力。 此时国际形势严峻,德国纳粹不断扩张自己的势力,希特勒的狼子野心更是日益显现。邱吉尔准确预测德国的野心侵略,为大英帝国在国际上的地位担心不已。但国会却依然持着绥靖政策,任由德国纳粹势力发展,不愿出兵干涉。更可气的是,财政大臣居然鼓动国会同意卖给德国制作飞机的发动机,丝毫没有意识到德国带来的威胁。当然,对德国问题忧心忡忡的不只是邱吉尔一个人,还有任情报机关重要领导的瑞尔夫,他也察觉到德国的狼子野心终究有一天会危害到英国。但是报国无门,瑞尔夫陷入了深深的苦闷中。 一次偶然的机会,在扎摩登的帮助下,邱吉尔和瑞尔夫成为了同一个战壕的兄弟,一起为保护大英帝国努力着。瑞尔夫冒险偷出的关于德国情况的详细资料为邱吉尔在国会上的演讲提供了巨大的支持,听到一组组数据,一些人开始觉醒,意识到英国即将面临灾难。但一些反对者仍然一意孤行,坚持英国应该向德国妥协,并派人威胁瑞尔夫。最终瑞尔夫顶不住来自政府的压力自杀身亡,邱吉尔对他的死表示了莫大的悲痛。为了英国,也是为了完成瑞尔夫的遗愿,邱吉尔更加努力地工作,在各大会议和电台发表演说,引起了不小的轰动。 功夫不赴有心人,在邱吉尔的多方奔走下,国内支持他的群众日益增多,国会同意对德国宣战。邱吉尔终于东山再起,成为了战时的英国首相,他领到了五年的第二次世界大战,并且终于于1945年5月赢得了胜利,攀上生命新高峰。 精彩视点: 本片以英国首相邱吉尔二次大战崛起前后的事迹改编。影片打破传统的叙事结构,让整个故事充满惊喜,而导演细腻地处理主角之间关系的转折,更使本片有别于一般的温情类型电影,而增添许多张力。另外,本片还极好地展现了双方面进行意志较量的精彩场面,并把推理手法与心理表现完美结合起来,采用文献资料加以艺术改造。可以说,这是一部不可多得的政治人物影片。
19世纪中叶,由于封建统治腐败和西方列强入侵,中国逐渐沦为半殖民地半封建社会。洋人船坚炮利,轰开国门,伴随着一个个丧权辱国的不平等条约,古老的华夏大地被蚕食瓜分。清王庭倒台后,各方势力你方唱罢我登场,政客、军阀、买办、野心家,他们此消彼长,却没有任何一方带着中国走出屈辱,走向富强。十月炮声将马克思主义带到中国,而五四运动唤醒了千千万的年轻人和爱国志士。1921年这种重要年份,李达(黄轩 饰)、毛泽东(王仁君 饰)、董必武(祖峰 饰)、何叔衡(张颂文 饰)等有志之士从四面八方来到上海。在这里,他们将完成一次影响深远的会晤…… 本片为建党一百周年献礼作品。
杨朵(程茉 饰)和武刚(唐振刚 饰)虽然有着夫妻之名,却丝毫没有夫妻之实,因为他们两人都是同性恋者,都有着各自稳定的恋人,这场婚姻完全只是一场为了让两家老人放心的骗局而已。本来相安无事的两人,却在某一天得到了婆婆(王琄 饰)即将带着小姑子武柔(李京恬 饰)搬来家里的噩耗。 相比起和婆婆住在同一屋檐下,更糟糕的是,杨朵发现自己竟然渐渐被古灵精怪的武柔所吸引。目睹了妻子的移情别恋,武刚心生一计,决定将自己的恋人山姆(周厚安 饰)介绍给武柔认识,让他们也组成冒牌夫妻,如此一来便再无后患。然而,事情真的会像武刚所想的那么顺利吗?
凯蒂(贝拉·索恩 Bella Thorne 饰)自幼便患上了罕见的着色性干皮症,对于常人来说非常普通的紫外线,照在凯蒂的身上将会对她造成致命创伤。无奈之中,凯蒂只能在白天太阳还没落山的时候待在家中,靠着一把吉他弹奏谱曲为乐,但是一旦夜晚降临,凯蒂的时间就开始了,带着她心爱的吉他,凯蒂来到火车站,站在路边上自弹自唱。 一天,一位名叫查理(帕特里克·施瓦辛格 Patrick Schwarzenegger 饰)的男子被凯蒂的歌声所吸引驻足观看,开朗活泼的凯蒂令他坠入了情网。让凯蒂没有想到的是,查理竟然是自己曾经暗恋过的人,为了能够抓住这段感情,凯蒂决定隐瞒自己的病情。
In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village. The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act. The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
一千多年前,大燕慕容家被乱军追杀,慕容曦逃亡至禁地时,时空隧道打开,仆人王鹏为救主子而将他推进时光隧道,来到一千多年后的现代社会。为寻找复国之法,他误打误撞认识了饮品店老板泰小妹。因不懂当代人的礼仪,慕容曦冒犯了泰小妹并将家传玉佩送给对方道歉。
韦伯经典音乐剧《猫》将拍电影版,演员定为詹妮弗·哈德森、泰勒·斯威夫特、詹姆斯·柯登、伊恩·麦克莱恩。 歌手出身、曾凭《追梦女郎》获奥斯卡最佳女配的哈德森饰演“魅力猫”葛丽兹贝拉,历尽沧桑的她将唱出经典歌曲《Memory》,别的演员角色尚未公布。汤姆·霍伯(《国王的演讲》《悲惨世界》《丹麦女孩》)执导,Lee Hall(《跳出我天地》)编剧,Working Title影业出品,11月在英国开拍。
二十年前,一个父亲发现儿子不是亲生的,于是,他要以跳楼的方式一雪耻辱,后来又决定去报复。二十年前,那个儿子按照自己崇拜的父亲所指引的“学习无用论”,决定放弃学业,少年经商。二十年前,一个青年爱上了一个姑娘,那个青年为了自己的所爱,竟然绑架了那个已被父亲发现不是自己亲生儿子的弃学少年。一场绑架案,改变了三个故事里的所有人。二十年后,父亲走出监狱,看到儿子靠拉脚为生。二十年后,当年热恋的男女在舞厅里偶遇,而此刻的他们,一个天残,一个地缺。一个沦为舞女,一个孤苦飘零。二十年前,二十年后,以笑言、悬疑的方式陈述一段有关青春的过往。